The spot the difference email that gets people looking at the product
A game is a poor reason to send one of these. Making somebody study your product closely for thirty seconds is an excellent one.
As a game it's thin. As a way of making somebody look hard at something they'd otherwise scroll straight past, it's one of the few formats that holds attention on a product photograph. So the differences had better be real ones.

Make the differences the ones that matter
Altered pixels, picked at random? Entertains for a moment, teaches nothing. The version worth building uses differences that mean something: the old pack against the new one, the genuine article against a common fake, or the two sizes people keep confusing at the shelf.
By the time your reader has found them all, they've looked at your product for longer than any campaign in the calendar would have managed. And they've learned the thing you wanted them to notice.
Where the format earns its production time
- A packaging change, so customers recognise the new one on a shelf or a delivery
- A counterfeit comparison, in categories where fakes circulate, which is genuinely valuable to the reader
- Two variants people mix up, which turns a support problem into a game
- An old model against a new one, where the improvements are physical instead of described
In every one of those the reader finishes the email knowing something they'll use in a shop or at a doorstep. That's a rare outcome for a campaign built around a game.
The counterfeit version is the strongest of the four and the one customers thank brands for. It protects them. It protects you. And nobody reads it as marketing.
Two photographs, one link, one reveal
Keep the mechanics simple. Two images stacked in the email, a line saying how many differences there are, and a link to a page with the answers on it. No scoring, no timer, nothing that has to work inside an email client.

Stack the images, don't sit them side by side. On a phone, two columns makes both of them too small to study, and studying them is the only thing this format has going for it.
Say in words what the picture is asking
| Element | The accessible version |
|---|---|
| The two images | Alt text describing each, and a text list of what changed on the reveal page |
| How many differences | Stated in the body copy, not inside the image |
| The answer reveal | A written list as well as a marked up picture |
If the point is a packaging change or a counterfeit warning, the written version is the important one anyway. It's the part somebody goes looking for later.
The reveal is the campaign that sells
Send the answers two or three days later, and put the substance in that one. What changed and why, how to tell a genuine one, which variant suits which job. The game earned the attention. The reveal spends it. Sending both in one email wastes one of them.
Where the differences were between two of your own products, the reveal is a comparison email with a warmed up audience, and that usually beats sending the same content cold. That pairing is the practical reason to run it at all.
Ask whether anything has actually changed recently
Look for a packaging update, a formulation change, a new supplier mark or a redesign in the past year. If one exists and nobody ever announced it, this is the most enjoyable way to announce it, and it gets remembered better than a notification would.
Nothing changed and no fakes circulating? Then the format has no material and you should skip it. The accounts we run in homeware reach for it when a range is refreshed, and not otherwise.

Alex Gregoriades
Operations director at Engage Commerce, where he runs the accounts the writing comes out of.
FAQs

How many differences should the images contain?
Five or six is comfortable. Fewer feels trivial and more gets frustrating on a phone screen. State the number in the body copy so the reader knows when to stop looking, and make sure every difference is genuinely findable.
Should the answers be in the same email?
No. Send them a few days later as their own email. You get two sends out of one production effort, and the substance lands in front of an audience that's already engaged with the pictures.
Does this format work for services?
Rarely, because there's nothing to look at. A before and after of a job done well against one done badly can work in trades and installation categories, but by then you're closer to a before and after campaign.
Is it worth the production time?
Only when a real difference exists to teach. Photographing two versions properly and building a reveal page is a day of work, which is worth it for a counterfeit warning or a packaging change and not for entertainment on its own.
Use the looking, not the game
Spot the difference is worth sending when the differences mean something: a pack that's changed, a fake to recognise, two variants people mix up. Stack the images so they can be studied on a phone. Describe everything in words for the people who can't see them. Put the real content in the reveal a few days later. Without a genuine difference to teach, it's a puzzle with a logo on it.
Campaigns that are not discounts
One campaign type per post: what it is for, who it is sent to, and how to build it without reaching for a code.

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The seasonal tie in email that is not just a themed banner
If the campaign still makes sense with the occasion removed, it was never a tie-in. It was a normal email wearing a costume.
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The risk reversal email: sell the guarantee, not the product
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Read itWould you rather this was just handled?
Bring your Klaviyo account and the thing annoying you most. We will tell you what we would fix first, on the call, before you spend anything.


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